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My big new development as of the last couple of weeks is that I have assembled a set of gear to shoot medium format film!
I have just gotten tired of the limitations of digital, and all of the image quality issues you get with digital cameras. My 30D is really bad about chromatic aberration (namely purple fringing) and noise. I also have grown tired of the light speed process you get sucked into of constantly snapping hundreds of photos in a short period, then rushing home to copy files and do a bunch of RAW conversions and Photoshop to get things looking alright. Even then, I've never been happy with the size or image quality of digital photography (at least the level of digital photography that a mere mortal can afford).
I've also always felt like there was an element of "the craft" missing from digital photography. It would be akin to a woodworker using a bunch of CNC equipment to build things, rather than taking a hands-on approach each step of the way. Even if you produce an excellent final product, you still don't get the same satisfaction if you didn't really immerse yourself into the process in a more traditional way.
After a long stretch of researching and daydreaming, I decided to take a serious look at the film options that are available these days. When I saw what could be done in medium format film quality-wise and cost-wise, I realized that I should have made the "backwards" switch to film long ago.
I did some research to figure out the optimal equipment/brand for what I want to do and I settled on a used Mamiya 645 Pro that I found on eBay. I think it was manufactured around 1992, but it came to me in mint condition. It has some metering/auto-exposure capabilities, but is purely manual focus and manual aperture. It shoots 645 format images on 120 roll film. I also got a Polaroid back for it so that I can shoot test shots (Polaroid stopped making the instant film for the backs but Fuji makes an excellent line of it now). Initially, I just had an 80mm lens, but I have just gotten my hands on a 35mm lens as well. For special occasions, I'm also open to the prospect of getting a 4x5 view camera. I'd like to have the added camera movements that you get with a view camera so that I could truly have the fullest control over a composition, but I'll just be working in the 645 format for now.
My workflow is still half digital because I scan my processed film and finalize the image appearance digitally, but there really isn't much to do other than clean some dust specs off of the scanned image. My scanner is able to get something around 90 Megapixels worth of image data off of a good shot on Fuji Velvia 50 slide film. There is probably even more to be had since the film grain is so fine on Velvia 50, but it already generates a 500MB+ digital image that is unwieldy to say the least. There is so much image data on a piece of medium format film that digital cameras still can't compete with medium format film (though I think they really have clearly surpassed 35mm film at this point).
I had an opportunity go out and shoot a few rolls (2 rolls of Fuji Velvia 50 and 1 roll of Ilford PanF Plus B&W 50) last weekend and I am really stunned by the results. I'm really excited considering the results I've gotten from the first rolls of MF film I've ever shot. I haven't finished scanning my dozen or so compositions, but I have had a chance to get four of them prepped and added to my gallery, and there will be more to follow over the coming days. I hope you like them, and I'm glad to receive any feedback from other MF film shooters, or answer any questions I can for people who may also be considering switching over to MF film like I have.
P.S. I still have my 30D and I will still use it for wildlife, action, etc, but I will probably shoot almost exclusively on my 645 camera for the foreseeable future.
I have just gotten tired of the limitations of digital, and all of the image quality issues you get with digital cameras. My 30D is really bad about chromatic aberration (namely purple fringing) and noise. I also have grown tired of the light speed process you get sucked into of constantly snapping hundreds of photos in a short period, then rushing home to copy files and do a bunch of RAW conversions and Photoshop to get things looking alright. Even then, I've never been happy with the size or image quality of digital photography (at least the level of digital photography that a mere mortal can afford).
I've also always felt like there was an element of "the craft" missing from digital photography. It would be akin to a woodworker using a bunch of CNC equipment to build things, rather than taking a hands-on approach each step of the way. Even if you produce an excellent final product, you still don't get the same satisfaction if you didn't really immerse yourself into the process in a more traditional way.
After a long stretch of researching and daydreaming, I decided to take a serious look at the film options that are available these days. When I saw what could be done in medium format film quality-wise and cost-wise, I realized that I should have made the "backwards" switch to film long ago.
I did some research to figure out the optimal equipment/brand for what I want to do and I settled on a used Mamiya 645 Pro that I found on eBay. I think it was manufactured around 1992, but it came to me in mint condition. It has some metering/auto-exposure capabilities, but is purely manual focus and manual aperture. It shoots 645 format images on 120 roll film. I also got a Polaroid back for it so that I can shoot test shots (Polaroid stopped making the instant film for the backs but Fuji makes an excellent line of it now). Initially, I just had an 80mm lens, but I have just gotten my hands on a 35mm lens as well. For special occasions, I'm also open to the prospect of getting a 4x5 view camera. I'd like to have the added camera movements that you get with a view camera so that I could truly have the fullest control over a composition, but I'll just be working in the 645 format for now.
My workflow is still half digital because I scan my processed film and finalize the image appearance digitally, but there really isn't much to do other than clean some dust specs off of the scanned image. My scanner is able to get something around 90 Megapixels worth of image data off of a good shot on Fuji Velvia 50 slide film. There is probably even more to be had since the film grain is so fine on Velvia 50, but it already generates a 500MB+ digital image that is unwieldy to say the least. There is so much image data on a piece of medium format film that digital cameras still can't compete with medium format film (though I think they really have clearly surpassed 35mm film at this point).
I had an opportunity go out and shoot a few rolls (2 rolls of Fuji Velvia 50 and 1 roll of Ilford PanF Plus B&W 50) last weekend and I am really stunned by the results. I'm really excited considering the results I've gotten from the first rolls of MF film I've ever shot. I haven't finished scanning my dozen or so compositions, but I have had a chance to get four of them prepped and added to my gallery, and there will be more to follow over the coming days. I hope you like them, and I'm glad to receive any feedback from other MF film shooters, or answer any questions I can for people who may also be considering switching over to MF film like I have.
P.S. I still have my 30D and I will still use it for wildlife, action, etc, but I will probably shoot almost exclusively on my 645 camera for the foreseeable future.
'Ospreys' has been published!
My "Ospreys" photo has been published in this month's issue of Wildlife in North Carolina magazine. It was selected as the "Outdoor Moment," which is a monthly full-page feature inside the back cover.
I took a quick shot of the feature with my cell phone, which you can see here:
:thumb178054947:
The original photo can be seen here:
:thumb93429026:
"Wildlife in North Carolina magazine is the official educational publication of the North Carolina Wildlife Resources Commission. It is dedicated to the sound conservation of North Carolina's wildlife and other interrelated natural resources and also to the environment we share with them." (Fro
New Large-Format (4x5) Shots Finally!
It took me longer than I expected, but I finally got my ten new 4x5 shots uploaded to my large format film gallery. They were all taken during my 4th of July vacation week, and the location for each photo is listed in its description.
These shots were much more difficult to process because they were shot on Fuji Velvia 100F, which is a very dense color film. It took a lot of time and tweaking to get my scanner to produce fairly accurate and detailed scans from each sheet of film, but I'm happy with the results. A few of the shots didn't really benefit from color, so I converted them to B&W. I scanned them at 2000DPI, which produced TIF image
Large Format Film (4x5)
I really didn't waste any time making my next big plunge into the "craft" of photography. Soon after getting settled into shooting medium format (Mamiya 645 Pro), I also got my hands on two used 4x5 view cameras.
One is a Graflex Graphic View II. I believe mine was manufactured right around 1950, and I'm told the previous owner was the original owner. It is in very good condition, but I need to repaint the metal parts because the finish is worn in some key areas. It also has a broken spring on the back (mine has the spring back, not the Graflok back). Fortunately, the red bellows is in absolutely perfect condition. I haven't shot with it yet
Snow at Lake Lynn
We finally got a good dusting of snow in Raleigh this weekend, and I headed out to Lake Lynn for a few hours yesterday to try my hand at shooting in the snow. The conditions were pretty difficult. It was below freezing, windy, and sleeted pretty hard the whole time I was there. I was worried about my camera because it had a lot of moisture all over it, but it held up like a champ. Batteries are another big issue in below-freezing temps because they drain very quickly. My battery ended up lasted just long enough for me to get the shots I wanted to, so all is well.
I wanted to try something different for a change (aside from shooting in the sn
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As an update to this, I have just recently abandoned medium format film in order to focus any film efforts on large format (4x5). I traded in my medium format stuff and grabbed a wide angle Schneider Super Angulon MC 90mm F8 for my 4x5 camera, as well as a new pair of Manfrotto carbon fiber tripod legs. My Mamiya 645 was a great camera system, but I did not enjoy the film scanning process at all with 120 film, and it was also a bit of a burden to have three separate camera systems to choose from or to carry on trips. Now I just have my 4x5 Toyo 45CF and my Canon 30D, and I feel much less overwhelmed with equipment.
At some point, I may try to update my 30D to something newer. It would be nice to have current digital capabilities, especially if that includes HD video.
At some point, I may try to update my 30D to something newer. It would be nice to have current digital capabilities, especially if that includes HD video.